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Silly Songs Aren't So Silly After All!
By Sandy Fleming

Children of all ages adore them, camp counselors collect them, and most adults cringe when they hear them. What causes all the fuss? Those silly, goofy songs, of course. You know the ones: They are loud, repetitive and, at times, just plain dumb. Kids tend to pick favorites and sing them over and over and over again. Some seem to have fifty zillion verses and others are so gross that parents threaten to ban them permanently. Let's take a closer look, though. These songs, dumb as they may be, are actually learning opportunities in disguise.

First, let's take a quick look at why these songs are so funny. Many of them are full of juxtapositions, like "Down By the Bay." Who would put together lines like "Did you ever see a moose" and "kissing a goose" except kids? Put that into a mental picture. Amusing, isn't it? Kids must master auditory comprehension skills in order to do that. It can't be funny if you don't understand it. The song, "Boom, Boom, Ain't It Great to Be Crazy," is full of puns. Again, comprehension is the key. Kids who learn these songs practice vital comprehension skills. These skills are foundational to reading and to later appreciation of literature.

 Want to sing silly kids' songs? Check these out!

The Fun to Sing Songbook & Wee Sing Silly Songs/Book and Cassette 

Memory is another skill built by singing goofy songs. Look at how many of these gems have ten or more verses. "Found a Peanut," "Aiken Drum" and "Over in the Meadow" are just a few examples. Memory improves with exercise, and cumulative songs, like "There's a Hole in the Bottom of the Sea" and "The Green Grass Grew All Around," give memory quite a workout. In these songs, each verse adds to those previously sung and verses get longer and longer.

Silly songs even tap into phonics skills, believe it or not. "Down By the Bay" requires sound knowledge of rhyming. "I Like to Eat Apples and Bananas" runs singers and listeners through common vowel sounds. Some songs rely on alliteration as well to tickle the funny bone. Singers need to break words into syllables, too. Generally, each word part matches up with a note and those parts are usually consistent with syllabication. Young readers need syllabication skills to tackle longer, unfamiliar words when reading. Children also absorb patterns of syllabication. For example, they learn that syllables ending with vowels have the long vowel sound, digraphs (like "ch") stay together in syllables, and each vowel sound has its own syllable.

Poetic forms are rampant in silly songs. Take away the tunes and you are left with poems, complete with rhyme and meter. Some songs are based on limericks and many include similes and metaphors. Understanding this figurative language becomes important as children grow into studies of literature in the upper grades. It helps to build mental pictures for both singers and listeners. And the vivid, descriptive language sets a fine example for children's own writing.

Many of the silly songs have motions that challenge coordination and stamina. Kids who sing them regularly learn better control of their muscles and improve coordination. "Head, Shoulders, Knees, and Toes" and "Oh Chester" are two examples.

Songs that allow singers to make up their own verses unleash creativity! Kids not only have to come up with ideas for verses, but they also have to use their knowledge of synonyms and rhyming words to make their ideas sound like the rest of the song. "Down By the Bay," "Boom, Boom, Ain't It Great to Be Crazy" and "Aiken Drum" are all songs that invite creation of new verses.

And now that you have an idea about how these songs benefit your youngsters, it's time to go out and find them, right? If your kids aren't already singing and collecting them, there are a few online
sources that you can use as resources. Visit these links for more info!

http://www.erikalin.com/camp/az.htm
http://www.angelfire.com/mi2/campsongs/
http://campsongs.8m.com/
http://www.campdrake.com/songs/

Sandy Fleming is Busy Parents Online Magazine's Busy Gradeschoolers section editor.

 
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